The “look at what shit we have” portion of E3 2019 has been passed, and we’re left both empty and satisfied by the proceedings – much like the after affects of going to a Chinese all-you-can-eat restaurant. But, how were the showings themselves? It’s time for my rating (read: berating) of the E3 2019 Conferences!Continue reading “Feature | Rating The E3 2019 Conferences”
E3, otherwise known as Gamer Christmas™, is upon us again along with all the hype, leaks, and cringeworthy conferences. So, I’ve been thinking about what I would want to come out of the showings this year, discounting EA because who really gives a flying fuck about them? Although seriously, I’m feeling Star Wars Jedi: Fallen Order, don’t you dare fuck this EA.
As such, I just wanted to quickly go over what I wanted from the showings of Microsoft, Bethesda, Ubisoft, Square Enix, Devolver Digital, and Nintendo. I won’t keep you too long, just a couple of things for each, along with their show times in UK time for your convenience.
Right? Right.Continue reading “Feature| RTG’s E3 2019 Wish List”
This review was originally posted on Nintendo Scene on 22nd November 2017.
Following from the successful launch of DOOM on Switch, it stands to reason that Bethesda would continue the ball rolling with bringing more of its extensive backlog of incredible and critically acclaimed games to the portable wonder. So, and as the end result of possibly the worst attempted cover up in recent gaming history, when a game that looked suspiciously like Bethesda’s Skyrim was shown as being playable on Switch during its reveal video, only to be fervently denied by Bethesda, we now have Elder Scrolls V: Skyrim on Nintendo Switch. Now, this game has been ported multiple times in its lifespan, but I haven’t played it before, so this review will be coming in as a complete outsider. With that said, how is Skyrim? Continue reading “Review – The Elder Scrolls V: Skyrim”
This review was originally posted on Nintendo Scene on 14th November 2017.
There have been some incredibly left-field announcements for the Switch since it’s release in March, almost all of which have been well-received on reveal, if not on release. DOOM, originally released on X-Box One and PlayStation 4 last year, received incredibly positive reviews and went on to win and be nominated for multiple game industry awards. So when Nintendo announced that, following on from the reveal of Bethesda’s first game on a Nintendo platform (a port of Elder Scrolls V: Skyrim), id Software’s lauded revival of DOOM would be brought to Switch too, it piqued the curiosity of a lot of fans. But, how does this dark, violent action game fare on Nintendo’s incredible hybrid device? Continue reading “Review | DOOM (Switch)”
I’ve always loved DOOM. I distinctly remember visiting a friend’s house when I was much younger and blasting my way through a variety of increasingly horrific monsters with increasingly ludicrous weapons, using the mouse and keyboard of a PC that could quite easily have crushed me to death. The game was an absolute thrill and, to me as a lowly console peasant (an accolade I still hold with pride), a technical and visual feat. The arguably simplistic aesthetic boasted incredibly in-depth and labyrinthine level design that never became less of a joy to explore even once I knew my way through. Furthermore, earlier this year I played through the original DOOM again with a friend on Xbox Arcade (I believe) and enjoyed it just as much. One thing I missed last year, and kind of regret now, was the revival of DOOM on console, which simply took the moniker of “DOOM”. I’ve recently finished the game on stream, but what did I think of it? Continue reading “Review | DOOM (2016)”